Book

A Useless Man

Sait Faik Abasıyanık2022 Turkey
With all the wit and brilliance of Chekhov, a distinctive collection of lyrical stories from Sait Faik Abasıyanık, “Turkey’s greatest short story writer” (The Guardian)
Published2022LanguageTurkishISBN978-0914671077
A Useless Man
SynopsisPlot
Sait Faik Abasıyanık’s fiction traces the interior lives of strangers in his native Istanbul: ancient coffeehouse proprietors, priests, dream-addled fishermen, poets of the Princes’ Isles, lovers, and wandering minstrels of another time. The stories in A Useless Man are shaped by Sait Faik’s political autobiography – his resistance to social convention, the relentless pace of westernization, and the ethnic cleansing of his city – as he conjures the varied textures of life in Istanbul and its surrounding islands. The calm surface of these stories might seem to signal deference to the new Republic’s restrictions on language and culture, but Abasıyanık’s prose is crafted deceptively, with dark, subversive undercurrents. “Reading these stories by Sait Faik feels like finding the secret doors inside of poems,” Rivka Galchen wrote.

Story

About this book

Sait Faik Abasıyanık, born in Adapazarı in 1906 and active until his death in Istanbul in 1954, produced twelve short story collections, two novels, and a book of poetry during his relatively brief life. A Useless Man gathers stories set largely in Istanbul and the nearby Princes' Islands, populated by coffeehouse owners, fishermen lost in their own thoughts, priests, poets, lovers, and street musicians belonging to a fading era. Many of these pieces draw on Abasıyanık's own experiences and frustrations.

The stories engage with pressures that shaped mid-twentieth-century Turkish life: rigid social expectations, rapid westernization under the early Republic, and the forced displacement of ethnic communities from Istanbul. Abasıyanık's prose maintains a deceptively calm, clear surface. Beneath that composure, the writing carries quiet resistance to the cultural and linguistic constraints imposed during the formation of the modern Turkish state.

The collection moves between close observation of ordinary people and a persistent awareness of what is being lost around them. Abasıyanık watches his city through its margins, recording the textures of daily life in neighborhoods, coffeehouses, and island shores while the political ground shifts beneath his characters.